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Archive for September, 2009

Shrink

29 Sep

Shrink is a feast for the eye. Beautifully filmed. Kevin Spacey’s face in particular is a visual delight and the secondary charachters are quite well built. But the finale doesn’t fit well in the big picture. Things just don’t go away that easy. The movie could have been the perfect existential drama about how the human being deals with loss in complicated circumstances assorted with anxiety, addiction, depression, nihilism, but it failed in the last 15 minutes. Nevertheless the cinematographic performance is exquisite.

 
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Tyler Cowen on Metal CDs

28 Sep

I’m a longtime reader of GMU economist Tyler Cowen’s Marginal Revolution blog and I’m quite pleased – not at all suprised – to read on his blog some interesting thoughts about the economics behind the length of Metal bands albums (I wouldn’t use the term CDs) :

Some metal bands develop great loyalty among their followers and achieve durable franchises.  That gives them a lower discount rate and they are more inclined to save up material for the future.  Plus they are marketing an overall sound — rather than clever particular innovations — and if the first forty (five?) minutes don’t convince you nothing will.  Rap songs probably have a higher individual variance.

I haven’t really asked myself why most of the Metal albums run at around 45 minutes – I’d say 50, but 45 is a good approximation – but neverthelss it is an interesting question. The assertion about Metal fans’ loyalty and the durability of the bands franchise is absolutely correct. Metal fans and Metal culture works this way, when being in a band you will want to think long term and build something durable, the quest for short term fame is almost always doomed to fail. And one of the main reasons is that it takes far more than one try to put out a high quality album and consequently to grow a solid fan base. When you do lengthy songs full of worthless intermezzos that’s nothing more than garbage in garbage out. Metal music is something extremely difficult to play, it requires a lot of effort and personal investment, your brand and sound is mostly build in the uderground local scenes and it takes a lot of time to reach the top, plus the fans are extremely demanding and have very good training at their subject. But once you have them, you have them for life. So when you can come up with 50 minutes of quality Metal music you’re more than good, you’re among the best. But it is indeed true that once you reach that phase you can allow your quality curve to somehow flatten, the fans will still be out there and you have less pressure to always come up with something new. At that point perfecting your art by slow margins – like improving production or marketing – is more efficient than being original which is intrinsically extremely costly. Countless well known Metal bands do this – Machine Head, Blind Guardian, Immortal, Sodom, Megadeth, Slayer, Kreator, Marduk, Children of Bodom, Behemoth, Napalm Death, My Dying Bride and so on – but there are also those who are not afraid to take the big leap of innovation precisely because they have achived the high quality status : Opeth, Satyricon, Carcass, Tiamat, Celtic Frost or Death.

 

Pilgrim Man

28 Sep

Arch Enemy’s re-recording of the song “Pilgrim” is available for free download so I cannot miss an occasion like this. Pilgrim is my number one song from this band; it dates from their early days when it was first recorded with singer Johan Liiva – available on YouTube in a nice live bootleg version – the vocal duties on the new version being handled by Angela Gossow. What can I say, I’ll stick to the old Pilgrim for mainly two reasons. The modern day Arch Enemy is a vicious bundle of devastating riffs thrown out with surgical precision in the detriment of the melodic line while the old Arch Enemy was a breath of fresh air in the Melodic Death Metal scene with a particular inclination towards catchy melodic lines with enhanced nuance and emotional depth. Johan Liiva’s sometimes exhausted Death Metal grunts contributed a great deal to the emotional side of the songs in absolute contrast to Angela Gossow’s perfectly balanced and highly technical vocal attacks. This doesn’t mean I don’t enjoy Arch Enemy today, I do, but I would never trade the chorus on Pilgrim sung by Johan Liiva for any other Arch Enemy song out there.

Pilgrim man – What are you searching for?
Believe the tales when everything else fails
Pilgrim man – Deep in your heart you know
Your faith is already bought and sold

 

Metal War Songs

28 Sep

Metal Hammer has compiled a nice list of top 17 songs about war. Very good picks, even if I would have kept out of the list songs by bands like Immortal, Turisas, Manowar and maybe even Marduk; while being excelent songs, they don’t exactly deal with the same kind of war as Metallica, Megadeth, Black Sabbath or Guns’n Roses do. On the other hand it’s quite suprising how Sodom and Sabaton have been left out; their repertoire deals extensively with war related themes in a very challenging and intelligent manner.